Bt

American musician

BT
BT in 2019
Background information
Birth name	Brian Wayne Transeau
Likewise known as	Prana Elastic Chakra Elastic Reality Libra Dharma Kaistar GTB
Built-in	(1971-ten-04) October iv, 1971 (age fifty) Rockville, Maryland, U.S.
Genres	Electronic trance trip hop IDM firm ambient breakbeat big beat glitch orchestral
Occupation(s)	Musician DJ vocalizer songwriter composer audio engineer
Years active	1989–present
Labels	Warner Bros. Perfecto Reprise Vandit Headspace Nettwerk DTS 405 Black Pigsty New State Fleet Enhanced Binary Acoustics
Associated acts	All Hail the Silence Sasha Paul van Dyk Tiësto Kirsty Hawkshaw January Johnston Christian Burns JES Tori Amos

Musical artist

Brian Wayne Transeau (born Oct 4, 1971), known by his initials every bit BT, is an American musician, DJ, singer, songwriter, composer and audio engineer. An artist in the electronica music genre, he is credited every bit a pioneer of the trance and intelligent trip the light fantastic music styles that paved the way for EDM,^[1] and for "stretching electronic music to its technical breaking point."^[2] In 2010, he was nominated for a Grammy Award for Best Electronic/Dance Album for These Hopeful Machines.^[3] He creates music inside a myriad of styles, such as classical, film composition, and bass music.

BT holds multiple patents for pioneering the technique he calls stutter editing.^{[4] [5]} This product technique consists of taking a small fragment of sound and repeating it rhythmically, frequently at audio rate values while processing the resultant stream using advanced digital processing techniques.^[6] BT was entered into the Guinness Book of World Records for his song "Somnambulist (Simply Being Loved)", recognized equally using the largest number of song edits in a vocal (vi,178 edits).^{[1] [iv] [7]} BT's work with stutter edit techniques led to the formation of software development company Sonik Architects, developer of the audio-processing software plug-ins Stutter Edit and BreakTweaker, and Phobos with Spitfire Sound.^[half-dozen]

BT has produced, collaborated, and written with a variety of artists, including Expiry Cab for Cutie, Howard Jones, Peter Gabriel, David Bowie, Madonna, Armin van Buuren, Sting, Depeche Mode, Tori Amos, NSYNC, Blake Lewis, The Roots, Guru, Britney Spears, Paul van Dyk, and Tiësto. He has composed original scores for films such equally Go, The Fast and the Furious, and Monster, and his scores and compositions have appeared on telly series such as Smallville, 6 Anxiety Nether, and Philip G. Dick's Electrical Dreams.^{[1] [8] [9] [10] [11]} He was deputed to compose a four-hour, 256 aqueduct installation composition for the Tomorrowland-themed expanse at Shanghai Disneyland, which opened in 2016.^[12]

Early life and education [edit]

BT was born in Rockville, Maryland on October four, 1971, to Romanian parents.^[3] His father was an FBI and DEA agent, and his mother a psychiatrist.^[10] BT started listening to classical music at the age of iv^[thirteen] and started playing classical piano at an early age, utilizing the Suzuki method.^{[4] [xiv]} By the historic period of eight he was studying composition and theory at the Washington Conservatory of Music.^{[3] [xv] [16]} He was introduced to electronic music through the breakdancing civilisation and the Vangelis score for the film Blade Runner, which led him to notice influential electronic music artists such every bit Afrika Bambaataa, Kraftwerk, New Order and Depeche Fashion.^{[13] [14] [16]} In high schoolhouse, he played drums in 1 ring, bass in a ska band and guitar in a punk group.^[14] At 15, he was accustomed to the Berklee College of Music in Boston, Massachusetts, where he studied jazz and enjoyed experimenting, such equally running keyboards through old guitar pedals.^{[14] [15] [16]}

Career [edit]

BT is a multi-instrumentalist, playing piano, guitar, bass, keyboards, synths, sequencers, the glockenspiel, drum machines and instruments he has modified himself.^{[14] [16]} His procedure for creating songs typically starts with limerick on basic instruments, similar the piano or an acoustic guitar.^[17]

1989–1994: Early career [edit]

In 1989, subsequently dropping out of Berklee, BT moved to Los Angeles, where he tried, unsuccessfully, to go signed equally a vocaliser-songwriter. Realizing he should focus on the electronic music he was more passionate most, he moved back to Maryland in 1990 and began collaborating with friends Ali "Dubfire" Shirazinia and Sharam Tayebi of Deep Dish. Together they started Deep Dish Records.^{[14] [16] [18]} Early in his career, BT worked under a variety of musical aliases, including Prana, Elastic Chakra, Elastic Reality, Libra, Dharma, Kaistar and GTB.^[9]

1995–1996: Ima [edit]

In the early years of BT's career, he became a pioneering artist in the trance genre, this despite the fact that he does not consider himself a DJ, since he infrequently spins records and comes from an eclectic music background.^{[xvi] [xix]} When he started out, such mutual elements as a build, breakdown and drop were unclassified. BT'due south was a unique estimation of what electronic music could exist.^[20] His kickoff recordings, "A Moment of Truth" and "Relativity", became hits in dance clubs in the UK. His productions were not yet pop in the United states, and he was initially unaware that he had become popular across the Atlantic, where UK DJs like Sasha were regularly spinning his music for crowds. Sasha bought BT a ticket to London, where BT witnessed his ain success in the clubs, with several grand clubbers responding dramatically when Sasha played BT'south song. He as well met Paul Oakenfold, playing him tracks that would make up his first album. He was quickly signed to Oakenfold's tape label, a subsidiary of Warner Brothers.^{[iii] [16] [21]}

BT's 1995 debut album Ima, released on Oakenfold's label, was a progressive business firm effort.^[xvi] The opening track, "Nocturnal Transmission", was featured in The Fast and the Furious. The anthology also featured a vocal with Vincent Covello. Blending house beats with sweeping New Age sounds, Ima helped to create the trance sound.^[22] "Ima (今)" is the Japanese word for "now". BT has stated that it too means many other things and that the intention of the album is to have a different effect for anybody.

Following the release of Ima, BT began traveling to England regularly. Information technology was during this fourth dimension that he met Tori Amos. They would collaborate on his vocal "Bluish Skies", which reached the number ane spot on Billboard magazine's Dance Club Songs chart in January 1997. This rails helped aggrandize BT's notability across Europe, into North America. He presently began to remix songs for well-known artists such every bit Sting, Madonna, Seal, Sarah McLachlan, NSYNC, Britney Spears, Diana Ross and Mike Oldfield.^{[16] [23]}

1997–1998: ESCM [edit]

BT's second anthology, ESCM (acronym for Electric Heaven Church Music), released in 1997, features more complex melodies and traditional harmonies along with a heavier utilise of vocals. The tone of the album is darker and less whimsical than Ima. The album, equally a whole, is much more diverse than BT's debut, expanding into pulsate and bass, breakbeat, hip-hop, rock and vocally-based tracks.^[23]

The biggest hit from ESCM was "Flaming June," a modernistic trance collaboration with German DJ Paul van Dyk.^[23] Van Dyk and BT would keep to collaborate on a number of works, including "Namistai" (establish on the later anthology Movement in Still Life), also as van Dyk's remix of BT'south "Blue Skies" and "Recall". "Remember" featured Jan Johnston on vocals, and reached #one on the Billboard Dance Club Songs chart.^[24] BT and Van Dyk also remixed the van Dyk classic "Forbidden Fruit" likewise as Dina Carroll's "Run to Y'all", and BT collaborated with Simon Hale on "Firewater" and "Remember."^[four]

1999–2002: Move in Still Life [edit]

BT playing an acoustic version of "Satellite" from his 1999 anthology, Movement in Still Life, in 2006

In 1999, BT released his 3rd anthology, Movement in Still Life, and continued his previous experimentation outside of the trance genre.^{[22] [25]} The album features a strong element of nu skool breaks, a genre he helped ascertain with "Hip-Hop Phenomenon"^[9] in collaboration with Tsunami Ane aka Adam Freeland and Kevin Beber.^[26] Forth with trance collaborations with Paul van Dyk and DJ Rap, Movement includes popular ("Never Gonna Come up Back Down" with Grand. Doughty on vocals), progressive house ("Dreaming" with Kirsty Hawkshaw on vocals) and hip hop-influenced tracks ("Madskill – Mic Chekka", which samples Grandmaster Flash and the Furious Five's "The Message", and "Smartbomb", a mix of funky, heavy riffs from both synthesizers and guitars woven over a hip-hop pause).^[23] "Shame" and "Satellite" lean toward an alt-rock sound, while "Godspeed" and "Dreaming" fall into classic trance ranks. "Running Downwardly the Mode Upwardly", a collaboration with fellow electronic act Hybrid, features sultry vocals and audio-visual guitars heavily edited into a progressive breakbeat rails.

"Dreaming" and "Godspeed" reached number 5 and number 10 on the Billboard Trip the light fantastic toe Club Songs chart, respectively,^[27] "Never Gonna Come Dorsum Down" reached #9 the Billboard Trip the light fantastic Club Songs chart^[28] and number xvi on Billboard's Culling Songs chart,^[29] and the album reached number 166 on the Billboard 200 album charts.^[thirty]

Long interested in branching out into film scoring, BT got the opportunity when director Doug Liman asked him to score Go, a 1999 flick about dance music culture. Shortly after creating the score, BT moved to Los Angeles in guild to farther pursue film scoring. He likewise began writing music for string quartets to prove his capabilities across electronic music. He was then hired to score the film Nether Suspicion with a 60-piece cord section.^{[xvi] [22]} For The Fast and the Furious, BT's score featured a lxx-slice ensemble, along with polyrhythmic tribal sounds produced past orchestral percussionists banging on auto chassis.^[fourteen]

In 1999, BT collaborated with Peter Gabriel on the album OVO, the soundtrack to the Millennium Dome Evidence in London.^[22] In 2001, he produced NSYNC's hit single "Pop", which won a 2001 Teen Choice Accolade for Choice Single, won four MTV Video Music Awards, and reached number 19 on the Billboard Hot 100 and number 9 on the Great britain Singles nautical chart.^[four] In 2002, BT released the compilation anthology 10 Years in the Life, a two-disc collection of rarities and remixes, including "The Moment of Truth", the kickoff track he ever recorded.^[10]

2003–2005: Emotional Technology [edit]

BT's 4th studio anthology, released on August 5, 2003, featured more vocal tracks than his previous fare, including half-dozen with vocals by BT himself. Emotional Engineering was his near experimental anthology to date, exploring a range of genres; many consider it the "poppiest" of all his work. Emotional Technology spent 25 weeks on the Billboard Dance/Electronic Albums nautical chart, reaching the top spot,^[31] and it reached number 138 on the Billboard 200 charts.^[32] The biggest single from the album, "Somnambulist (Simply Beingness Loved)", draws heavily from the breakbeats and new moving ridge dance of New Order and Depeche Manner, whom BT has cited every bit major influences.^[22] "Somnambulist" holds the Guinness World Tape for the largest number of vocal edits in a single track, with vi,178.^{[one] [vii] [33]} Information technology reached number 5 on the Billboard Dance Club Songs chart^[34] and number 98 on the Billboard Hot 100.^[35]

BT ventured into tv production for Tommy Lee Goes to College for NBC in 2005. Information technology starred Mötley Crüe drummer Tommy Lee. He executive-produced the reality tv serial, the thought for which he developed and sold to NBC.^[19]

BT worked with Sting on his album Sacred Dearest, co-producing the track "Never Coming Home".^[36]

2006–2009: This Binary Universe [edit]

BT's fifth studio album, This Binary Universe, released on August 29, 2006, is his 2nd album released in 5.one surround sound,^{[37] [38]} the showtime existence the soundtrack to the 2003 motion picture Monster.

The double anthology highlights a mix of genres, including jazz, breakbeats and classical. Iii songs feature a full 110-piece orchestra. Unlike his previous two albums, which featured vocals on almost every track, this album is entirely instrumental. The tracks change genres constantly. For example, "The Antikythera Machinery" starts off almost lullaby-like, complete with a piano, audio-visual guitars and reversed beats; halfway through the track, information technology explodes with a 110-piece orchestra, followed by a section of breakbeats and ending with the de-construction of the orchestra. Animated videos created by visual furnishings artist Scott Pagano to accompany each song were included in a DVD packaged along with the CD.^{[16] [37]} This Binary Universe reached number iv on the Billboard Dance/Electronic Albums chart.^[39] BT's company, Sonik Architects, built the drum automobile (the commencement in environment sound) used on the album.^[16]

Keyboard magazine said of the album, "In a hundred years, it could well be studied as the kickoff major electronic work of the new millennium."^[40] Wired chosen it an "innovative masterpiece."^[41]

In November and Dec 2006, BT toured the album with Thomas Dolby opening.^[xvi] The concert featured a live slideshow of images from DeviantArt as a backdrop.^[42] All the shows were done in 5.i surroundings audio, with BT playing piano, bass and other instruments live, and also singing on a cover of "Mad World" by Tears for Fears.^[43] Earlier in 2006, BT performed with an orchestra and conductor and visuals for an audition of 11,000 at the Video Games Alive concert at the Hollywood Bowl in Los Angeles.^[16]

2010–2011: These Hopeful Machines [edit]

BT performing at GearFest in 2011

BT'south sixth studio album, These Hopeful Machines, was released on February 2, 2010. The double anthology features dance-pop, trance, house, breaks, soundscapes, orchestral interludes, acoustic guitar and stutter edits. With BT spending several years perfecting the album, mathematically placing edits and loops to create "an anthology of ultimate depth and movement,"^[41] each of the songs went through a lengthy recording process. BT has estimated that each song on the anthology took over 100 sessions to record, adding that "Every Other Mode" took 2 months to write and tape, working 14 to 20 hours a day, 7 days a week.^[15] These Hopeful Machines was nominated for a 2011 Grammy Laurels for Best Electronic/Dance Album.^[3]

The album features invitee appearances from and collaborations with Stewart Copeland of The Law, Kirsty Hawkshaw ("A One thousand thousand Stars"), JES ("Every Other Mode" and "The Light in Things"), Rob Dickinson ("Always" and "The Unbreakable"), Christian Burns ("Suddenly", "Emergency" and "Forget Me") and Andrew Bayer ("The Emergency").^{[six] [41]} It contains the near singles released from any BT album, with viii of the 12 tracks released as singles. Official remixes were made by Armin van Buuren and Hanky-panky. Information technology reached number half-dozen on the Billboard Dance/Electronic Albums chart^[44] and number 154 on the Billboard 200 album charts.^[45] The singles "Emergency" and "Rose of Jericho" reached numbers iii and v on the Billboard Dance Order Songs chart, respectively.^[46]

A remix album, titled These Re-Imagined Machines was released in 2011. These Humble Machines, an united nations-mixed album featuring shorter "radio edit" versions of the tracks (like to the Usa version of Movement in Still Life) was also released in 2011.^[47]

2012: If the Stars Are Eternal And then Are You and I and Morceau Subrosa [edit]

On June 19, 2012, BT released If the Stars Are Eternal So Are You and I, along with Morceau Subrosa, his seventh and eighth studio albums. If the Stars Are Eternal So Are You and I was an about-face from BT's previous album These Hopeful Machines, utilizing minimal beats, ambient soundscapes, and glitch music, equally opposed to the electronic music mode of These Hopeful Machines. Morceau Subrosa is very different in fashion compared to nearly of BT's previous works, favoring ambient soundscapes and minimal beats.^[48]

2013–2014: A Song Beyond Wires and radio shows [edit]

BT'southward ninth studio album, A Song Across Wires, was released worldwide on August 16, 2013.^[20] Blending elements of trance, progressive firm and electro,^[20] the club music-oriented album reached number 5 on the Billboard Trip the light fantastic toe/Electronic Albums nautical chart,^[49] and features 4 Beatport No. 1 trance singles: "Tomahawk" (with Adam K), "Must Be the Beloved" (with Arty and Nadia Ali), "Skylarking" and "Surrounded" (with Au5 and Aqualung).^[43] On the album, BT also collaborates with Senadee, Andrew Bayer, Tania Zygar, Emma Hewitt, JES, Fractal, tyDi and K-pop singer Bada.^[l]

In 2012, he released the mix collection Laptop Symphony, based on his laptop performances on his Sirius XM radio show, which range from dubstep to drumstep to progressive to trance.^[51] In 2013, he started a new Sirius XM radio program, Skylarking, on the Electric Area aqueduct.^[52]

2015–2019: Electronic Opus, All Hail the Silence, _ and ‡ [edit]

On Nov x, 2014, BT announced a Kickstarter project with Tommy Tallarico to produce Electronic Opus, an electronic symphonic anthology with re-imagined, orchestral versions of BT'due south songs. The project reached its crowd-funding goal of $200,000.^[53] A live orchestra played during Video Games Alive on March 29, 2015, while the album was released on October 12, 2015.^{[54] [55]}

On March seven, 2012, it was announced that BT and Christian Burns had formed a ring chosen All Hail the Silence, with encouragement from Vince Clarke. They released their starting time unofficial single, "Looking Glass", online in 2012.^[56] On July 21, 2014, Transeau and Burns appear that their band would be touring with Erasure in the fall of 2014 for the anthology The Violet Flame.^[57] On August 24, 2016, the band appear that they would release a express edition colored 12" vinyl collectible extended play entitled AHTS-001 with Shopify on September nineteen, 2016.^[58] On September 28, 2018, the band released their start official single, "Diamonds in the Snow", along with its accompanying music video.^[59] They released the music video for "Temptation" in December 2018.^[lx] The ring's start album, Daggers (stylized as ‡), was released on Jan 18, 2019.^{[61] [62]}

On Dec 14, 2015, BT disclosed news to DJ Mag about a new album to come by early 2016. Similar to This Binary Universe, BT explained that "the entire tape is recorded in a way [I've] never recorded anything before," and that it has a "modular, ambience artful".^{[63] [64]} The album, _, was released digitally on October 14, 2016, and physically on December 2, 2016, via Black Hole Recordings, forth with an accompanying film.^[65] Due to the restrictions of most music sites, which prevent blank album titles, BT chose to name the album the underscore grapheme "_". BT has admitted that this title has resulted in complaints from fans nigh difficulties in finding the album on popular services due to the inability of most search engines to handle the "_" character.^{[66] [67]} On January 17, 2017, BT released _+, an extended version of _.^[68]

On Oct 10, 2019, BT announced on Instagram that two new albums were slated for release in the Fall of 2019: Between Here and You, an ambient anthology consisting of ten tracks, and Everything You're Searching for Is on the Other Side of Fear, a 17-rails album with sounds akin to those from This Binary Universe and _. Between Here and You was released on October xviii, 2019^[69] and reached the number 1 spot on the Electronic Albums Chart on iTunes.^[70] Everything Y'all're Searching for Is on the Other Side of Fearfulness was released on December 13, 2019.^{[71] [72]}

2020–present: The Lost Fine art of Longing, Genesis.json and Metaversal [edit]

On June 19, 2020, BT released the single "1AM in Paris / The War", which featured singer Iraina Mancini and DJ Matt Fax.^[73] On July 17, 2020, another single, "No Warning Lights" was released, featuring Emma Hewitt on vocals.^[74] It was later announced that The Lost Art of Longing would be his thirteenth album, released on August xiv, 2020.^[75]

In May 2021, Transeau entered into the globe of NFTs past composing music for a digital artwork piece entitled "DUNESCAPE XXI", and soon afterwards auctioning off a digital artwork piece entitled "Genesis.json", which includes 24 hours worth of original music that contains an Indian raga and xv,000 hand-sequenced audio and visual moments. The artwork is programmed to requite a special bulletin on the owner'due south birthday and is the "only work of fine art that puts itself to slumber" on a certain time.^[76] In September 2021, BT appear his 14th album Metaversal, which was created and programmed entirely on a blockchain for release on September 29. The album was released publicly on November 19.^{[77] [78]}

Pic, TV and video game scores [edit]

BT began scoring films in 1999 with Become. Since and so he has scored over a dozen films, including The Fast and the Furious, Monster, Gone in sixty Seconds, Lara Croft: Tomb Raider and Catch and Release.^{[14] [16] [22] [40]} His soundtrack for Stealth featured the song "She Can Practice That", with atomic number 82 vocals from David Bowie.^[xvi] BT produced the score for the 2001 film Zoolander, but had his name removed from the projection. His tracks for the film were finished past composer David Arnold. BT also equanimous music for the Pixar animated short pic Partysaurus Rex, released in 2012 alongside the 3D release of Finding Nemo.^[51]

He has scored the video games Die Hard Trilogy 2: Viva Las Vegas (2000), Wreckless: The Yakuza Missions (2002), FIFA Football 2002 (2002), Demand for Speed: Underground (2003) and Tiger Woods PGA Bout 2005 (2004). He fabricated the official 2d-long warning tone for the Circa News app.^[1] In 2013, he scored Betrayal, a xiii-episode drama on ABC.

In 2014, BT was selected past Walt Disney Company executives to score the music for the Tomorrowland-themed expanse at Shanghai Disneyland, which opened in 2016. He spent more than than 2 years on the projection, writing more iv hours of music that are played out of more than 200 speakers spread throughout Tomorrowland. BT called the undertaking "one of the most thrilling experiences of my life."^[12]

Software [edit]

Sonik Architects [edit]

During the production of This Binary Universe, Transeau wanted to plan drums in surround audio, and constitute that software tools to achieve this weren't readily available. He decided to develop his own, forming his own software company, Sonik Architects, to create a line of sound design tools for the studio and another line of tools and plug-ins designed for live performance. The company's first release was the drum car environment audio sequencer BreakTweaker, a PC plug-in.^{[sixteen] [79]} In 2009, Sonik Architects released Sonifi, a product for the iPhone, iPad and iPod Touch that enables musicians to replicate BT'south stutter edit consequence alive.^{[lxxx] [81]} BT himself has used information technology during live shows.^[81]

In December 2010, Sonik Architects was caused by software and music production company iZotope,^[82] and at the Winter NAMM Show in Jan 2011, the Stutter Edit plug-in, based on BT's patented technique of real-time manipulation of digital sound, was released by iZotope and BT.^[83]

In 2020, Transeau released an upgraded version of his Stutter Edit plug-in with iZotope, chosen Stutter Edit 2. This version includes more than sound furnishings, more presets, and new features such as Auto Mode and the Bend editor.^{[84] [85]}

Other software [edit]

Transeau is a user of digital audio workstation FL Studio and he was included in the Power Users section on Paradigm-Line'southward site in 2013.^[86] In 2014, BT collaborated with Boulanger Labs in creating the Jump Motion app Muse, a device that allows users to compose their own ambience sounds using gestural control.^[43] He besides developed a standalone plugin synthesizer chosen BT Phobos for the music software company Spitfire Audio, which was released on Apr 6, 2017.^{[87] [88] [89] [ninety]} BT created presets for the synth plugin Parallels, released past Softube in 2019.^[91] He also created analog synth tone patches for the synthesized Omnisphere ii, created by ILIO.^[92]

Personal life [edit]

BT lives with his girl in Maryland. In 2008, he was involved in dispute most his daughter'southward custody with the child's mother, Ashley Duffy.^{[93] [94]} He is an gorging scuba diver, and supports the preservation of sharks.^[95] In February 2014, BT partnered with EDM lifestyle brand Electric Family to produce a collaboration bracelet for which 100% of the proceeds are donated to the Shark Trust.^[96] On Oct 19, 2014, BT was married to Lacy Transeau (née Bean).^[97]

Awards and nominations [edit]

Grammy Awards [edit]

Year	Nominated piece of work	Category	Event
2011	These Hopeful Machines	Grammy Accolade for Best Electronic/Dance Anthology[3]	Nominated

International Trip the light fantastic toe Music Awards [edit]

Beatport Music Awards [edit]

Computer Music Awards [edit]

Discography [edit]

Studio albums

• Ima (1995)
• ESCM (1997)
• Move in Even so Life (1999)
• Emotional Engineering (2003)
• This Binary Universe (2006)
• These Hopeful Machines (2010)
• If the Stars Are Eternal So Are Yous and I (2012)
• Morceau Subrosa (2012)
• A Song Beyond Wires (2013)
• _ (2016)
• Between Here and You (2019)
• Everything You're Searching for Is on the Other Side of Fear (2019)
• The Lost Art of Longing (2020)^[100]
• Metaversal (2021)^{[77] [78]}

With All Hail the Silence

• Daggers (2019)

Encounter also [edit]

• List of Number 1 Dance Hits (United States)
• List of artists who reached number one on the U.S. Dance nautical chart
• Granular synthesis
• Stutter edit

References [edit]

1. ^ ^{a b c d east} Tyler Gray, "Would Yous Want to Hear This New Circa News Sound Whenever News Breaks?" Fast Company, Oct 3, 2013.
2. ^ Curtis Silverish, "BT Talks These Hopeful Machines, Math and Inspiration," Wired, February ii, 2010.
3. ^ ^{a b c d e f} BT, "Commencement-Fourth dimension Nominee: BT (Role One)," Grammy.com, January xviii, 2011.
4. ^ ^{a b c d east} Clayton Perry, "Interview: Brian Transeau – Singer, Songwriter and Producer," Seattle Post-Intelligencer, April 26, 2011.
5. ^ Method and Apparatus for Digital Audio Generation and Manipulation, Patent #793587911551696; Time Varying Processing of Repeated Digital Audio Samples in Accordance with a User Defined Effect, Patent #814549611807214.
6. ^ ^{a b c} Cosmin Lukacs, "Interview With BT aka Brian Transeau," Archived Feb sixteen, 2011, at the Wayback Machine Trance Sound, September 10, 2010.
7. ^ ^{a b} DJ Ron Slomowicz, "21 Records That Made Me Happy to Be a DJ," About.com. Accessed August three, 2014.
8. ^ David Battino, Kelli Richards, The Fine art Of Digital Music, Backbeat Books, 2005, p. ten
9. ^ ^{a b c} Damon Fonooni, "Embracing BT," Archived June 24, 2012, at the Wayback Machine Lunar, 2002.
10. ^ ^{a b c} Steph Evans, "Earmilk Interview: BT," Earmilk, August twenty, 2013.
11. ^ "New Episodes of 'Philip K. Dick's Electrical Dreams' to Characteristic Music by Mark Isham, BT & Conduct McCreary". Flick Music Reporter. January 9, 2018.
12. ^ ^{a b} Newman, Melinda (June 16, 2016). "Run across the Composer Who Wrote the Music for Shanghai Disneyland'southward Tomorrowland". The Hollywood Reporter.
13. ^ ^{a b} Tim Bomba, "Abode is where the art is," The Hollywood Reporter, Nov 14, 2006.
14. ^ ^{a b c d due east f g h} Richard Buskin, "Brian Transeau: Emotional Experience," Archived August 8, 2014, at the Wayback Machine Sound on Sound, December 2001.
15. ^ ^{a b c} "BT Wears His Lab Coat for These Hopeful Machines," Keyboard, February 26, 2010.
16. ^ ^{a b c d east f g h i j thou fifty m due north o p q} Marking Pocket-sized, "Berklee Today," Berklee.edu. Retrieved August 3, 2014.
17. ^ Brittany Gaston, "Hot on the heels of controversy, dance music fable BT releases his ninth studio LP," Archived August 8, 2014, at the Wayback Machine Beatport, August 14, 2013.
18. ^ "Hyperreal.org".
19. ^ ^{a b} Muther, Christopher (October 2, 2004). "The world at his fingertips". The Boston Globe.
20. ^ ^{a b c} Rafael De La Torre, "EDM Interview: Magnetic Catches Up With BT To Talk over New Album," Magnetic, June fourteen, 2013.
21. ^ Kara Nesbitt, "Elite Daily Talks 'A Song Across Wires' & More With B.T.," Archived August 6, 2014, at archive.today Elite Daily, August 21, 2013.
22. ^ ^{a b c d east f} Geoff Boucher, "He'south Breaking the Spell of Trance Music," Los Angeles Times, August 20, 2000.
23. ^ ^{a b c d} Ravi Baskaran, "Beatific," Broward/Palm Beach New Times, July 13, 2000.
24. ^ "Remember," Billboard Dance Club Songs, Billboard. Retrieved August 3, 2014.
25. ^ Sean Bidder, "Trance Defector," URB, July/August 2000.
26. ^ "BT – Motion In Still Life (CD, Anthology) at Discogs". Discogs. 2011. Retrieved Jan nine, 2011.
27. ^ "Godspeed," Billboard Trip the light fantastic Social club Songs, Billboard. Retrieved August 3, 2014.
28. ^ "Never Gonna Come Dorsum Downward," Billboard Trip the light fantastic Social club Songs, Billboard. Retrieved August 3, 2014.
29. ^ "Never Gonna Come Back Down," Culling Songs, Billboard. Retrieved August three, 2014.
30. ^ "Motion In Nevertheless Life," Billboard 200, Billboard. Retrieved August 3, 2014.
31. ^ "Emotional Technology," Billboard Dance/Electronic Albums. Retrieved Baronial iii, 2014.
32. ^ "Emotional Technology," Billboard 200, Billboard. Retrieved Baronial iii, 2014.
33. ^ Greg Rule, "Drumming, Mixing & Editing Tips From BT," Drum! July 2010.
34. ^ "But Being Loved (Somnambulist)," Billboard Dance Club Songs. Retrieved August 3, 2014.
35. ^ "Merely Being Loved (Somnambulist)," Billboard Hot 100. Retrieved August three, 2014.
36. ^ "Sting - Sacred Honey".
37. ^ ^{a b} "BTs' Concluding FM site".
38. ^ David Murphy and Dave Powers, "Digital Music Innovators," PC Magazine, August ii, 2006.
39. ^ "This Binary Universe," Billboard Trip the light fantastic/Electronic Albums. Retrieved Baronial 3, 2014.
40. ^ ^{a b} Stephen Fortner, "The Mind Of BT," Keyboard, December 2005.
41. ^ ^{a b c} Curtis Silver, "BT Talks These Hopeful Machines, Math and Inspiration," Wired, February 2, 2010.
42. ^ "DeviantArt Presents BT and Thomas Dolby".
43. ^ ^{a b c} Dan Olbrych (January 7, 2014). "BT on New Product Tech: 'Holy S**t!'". DJ Times. Archived from the original on February 12, 2014.
44. ^ "These Hopeful Machines," Billboard Trip the light fantastic toe/Electronic Albums. Retrieved Baronial 3, 2014.
45. ^ "These Hopeful Machines," Billboard 200, Billboard. Retrieved Baronial three, 2014.
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External links [edit]

• Official website
• BT at IMDb
• BT discography at Discogs

alvaradodedishe.blogspot.com

Source: https://en.wikipedia.org/wiki/BT_(musician)

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